Showing posts with label non-fiction. Show all posts
Showing posts with label non-fiction. Show all posts

Wednesday, 14 March 2012

Writing Facts in Fiction

This applies just as much to poems as to fiction, plays, whatever.

When you read a piece of fictional writing and there is a specific fact in it, a reference to something that everyone knows or recognises, it makes the writing suddenly more real, more personal to the reader.

Use a visual detail such as the doilies so carefully described in Elizabeth Bishop's poem Filling Station that you can see them and you can see their history too. Did the doilies exist? Did Elizabeth Bishop see them and take out her notebook to jot down some details? I don't know for sure. I'd bet a tankful of unleaded that she did though.

It's the specificity that does it.

Philip Larkin's Whitsunday Weddings has so much specificity, the tim, the colours of the going away clothes. I believe it happened. I feel like I was there too, leaning out of the windows of the hot train. I can almost smell the dust and sunshine.

So be specific. If you mention a dog, tell us the breed. Rotweiler? Labrador? Pooch? If you mention cake, is it Victoria sponge? Swiss Roll? Battenburg? If the place stinks, is it rotten fish? Sewage or exhaust fumes? Think about the five senses and drag the reader alongside.

Thursday, 29 September 2011

Jaunt to Bofin

Following on from the success of recent INISHBOFIN JAUNT writing weekends, Writing Train Writing Workshops and Yvonne Cullen will hold a further JAUNT to BOFIN between the dates of 14th and 17th October
Fiction and Non-Fiction will be our areas, and our beginner and developing writer classes and workshops will be surrounded by lots of time to write, plus readings planned for island homes. 
Course fees: €170 beginners and €230 developing writers, not including accommodation. Lovely shared houses can be booked for the event via Yvonne. 
For info and to book, contact Yvonne at 086 1701418, or at writingtrain@gmail.com.

I'll be featuring an interview with Yvonne soon on Confessions of a Workshop Leader. Should be good!

Friday, 19 August 2011

Open to Interpretation

An interesting project here. There are some fine art photographs chosen to a theme and now a call for submissions for poems and prose inspired by them. The judge is called Anastasia Faunce.

Then they make a book. Each photo has 2 interpretations. You get a copy of the book (and ever lasting fame)

Entry Deadline: October 20, 2011

Remember to note down which photo the piece submitted is for.

A photograph tells a story. But it tells a slightly different story to every viewer. The stories are fleeting, disappearing from the viewers’ minds in the moments it takes to turn a page or walk to the next gallery.

Sunday, 7 August 2011

Storymap


This is an intriguing sounding project that's in its early stages. Check out the vids and recordings so far here. Full of charm, madness, historical insight and poignancy. They're always looking for more.

Storymap is run by Tom Rowley and Andy Flaherty, two filmmakers from Dublin. The idea is simple. We find interesting stories about the city, film them being told in the relevant spot, and then upload and integrate the stories on an online map (storymap.ie).

The stories range widely - from personal to historical, funny to tragic, drunken misadventure to romantic encounter - and all illuminate a different facet of Dublin life. The result is a website which gives a vision of Dublin by Dubliners, and highlights the remarkable stories that lie beneath every Dublin street - across centuries, generations, nationalities.

Also, in it's own way, we think it's a very fresh way to preserve the untold history of places - the type of memories and peculiar history that are often overlooked and neglected. In a sense it's like one big pub, and we're inviting the city of Dublin to come share their stories in it.

We're constantly collecting new stories, and release one new story a week. We see this as an ongoing project that'll grow and grow, and we aim to have at least one story for every street in the city. We usually collect stories in a number of ways - by rambling around the city and popping into interesting spots, researching dublin history and meeting with dublin historians, attending storytelling and spoken word nights, and by seeking out interesting characters in the city to tell us stories. We love to hear from people, and are always available to meet and chat if you email us at storymapdublin@gmail.com.

We launched the website in February. Since then the project has gotten great feedback, with articles in the Irish Independent, Irish Times, and features on Newstalk with Tom Dunne, RTE’s Capital D, and Dublin city FM. We've been running without any funding, and we're currently looking for some support to develop an iPhone app.

StoryMap
www.facebook.com/storymapdublin

Tuesday, 26 July 2011

Horizon Review Submissions

 Now you may know that I am not a huge fan of online, free magazines but this one is associated with the independent press Salt.

They are reading now until 15th August.

Horizon is an online review of literature and art. We publish poems, stories, essays, articles and memoir, multimedia pieces (but light on the talking heads please), art reviews, photo essays, and other items of cultural interest. Queries are welcome. The review appears twice yearly, in March and September.

Submission highlights:
We accept submissions only by email, at submissions-horizon@saltpublishing.com.
maximum of six poems or three short stories.
Criticism, memoir and essays should be no more than 3,000 words.
Reviews should be no more than 1,000 words.
75-word biographical note.

If you are not contacted by Salt within 30 days of your submission, your work has not been accepted for publication.

Details here

Friday, 3 June 2011

Life Writing

Apparently this is writing about your life or someone else's.

THE SOCIETY OF WOMEN WRITERS & JOURNALISTS is delighted to announce its INTERNATIONAL ONLINE ‘LIFE WRITING’ COMPETITION

Judges: Sophie King and Katie Fforde
Word Count - 3000 words maximum

Deadline: 30 September 2011

Entry by email only via website

‘Life Writing’ is a fluid term used to describe the recording of experiences and memories, whether one’s own or another’s. It covers biography, memoir, diaries, letters and personal essays etc., and, more recently, digital forms such as blogs and email. It can also be linked with genealogical study - when recording your own life, it is common to become curious about the lives of others, and if they have not recorded their own life, to start doing it for them.

RULES OF ENTRY - PLEASE READ

The Competition is open to any writer world-wide of 20 years old and over.

There are two categories: 20 - 40 years old, and Over 40s

Prizes in EACH category: 1st £3000. 2nd £1000. 3rd £500.

The entry fee is £7 (seven pounds sterling) payable via Paypal on our submissions page
Judges: Sophie King for Category 1 - 20/40 year olds and Katie Fforde for Category 2 - over 40s

Monday, 16 May 2011

Mill Cove Gallery


One from the stammering poet. Nice to see you at the Poetry Ireland Introductions, Peter and congratulations once again on romping in ahead of the pack at Strokestown.

Mill Cove Gallery in Castletownbere, Co Cork has a competition to write a poem, story, or piece of prose (up to 40 lines) inspired by a painting or sculpture from the gallery or the website. The selection is rather stupendous. This competition is run in conjunction with Hungry Hill Writers from the Beara penisular. Website here where you can find the entry form.

Submit your entry (unlimited number) and €5 entry fee per submission (€3 if aged 16 or younger) by post or in person at the Gallery.

Deadline: 10th June 2011.

You are invited to attend the Gallery on Saturday 31st July 2011, 6-8 pm for the announcement of winners, launch of the publication of short-listed entries and to meet the artists.

Prize: €100 for adults, €50 for children

Judge: Cherry Smyth- Irish poet and art critic

Tuesday, 12 April 2011

Wellcome Trust Science Writing Prize

The Wellcome Trust Science Writing Prize 2011 in association with the Guardian and The Observer aims to celebrate new voices in science journalism. If you can enthuse people about cutting-edge particle physics or the latest developments in synthetic biology, this is the competition for you.

As long as you're not already a professional writer or journalist you can enter this competition. To encourage more people to discuss and think about science, we want to bring brilliant new writing to the attention of all our readers.

The prizes will be presented at a prestigious ceremony at the Wellcome Trust on 12 October 2011 and the winning articles from each category will be published in the Guardian or The Observer. There will be two prizes, one for professional scientists and another for everyone else. The winners will each receive a £1,000 cash prize.

The top 30 shortlisted entrants will also be invited to attend a science writing workshop at the Guardian offices in October 2011.

Among the judges will be Guardian editor Alan Rusbridger, the director of the Wellcome Trust, Mark Walport, comedian Dara O'Briain and the Observer's science editor, Robin McKie.

What are we looking for? The kind of writing that we would want to read ourselves.

Great link with more guidance here at the Guardian.

The entries can be traditional newspaper features or writing suitable for the web that utilises the medium in an innovative and appropriate way. Bear in mind, however, that this prize is primarily about the writing and is not meant as a way of recognising expert programming skills or multimedia.

Deadline: 20 May.

Wednesday, 29 December 2010

Columbia: A Journal of Literature and Art


From Emily Firetog:

Their Publication Contest is on!

$1,500 in prizes and publication in Columbia: Issue 49.

Top ten finalists judged by Robert Olen Butler - A Good Scent from a Strange Mountain 1993 Pulitzer Prize winner - Fiction
Joanna Klink - Raptus - Poetry
Jo Ann Beard - The Boys of My Youth - Nonfiction

First-place winners in each genre will receive a $500 prize, and their work will be published in Issue 49 of the Journal (Spring 2011). Runners-up will be considered for publication on the journal's website.

Visit their website for submission guidelines.

Entry fee : $12.

Deadline : January 18, 2011.

Thursday, 16 December 2010

Cúirt New Writing Prize 2011

3 Categories: Poetry, Fiction, Non Fiction/Memoir

Prize: €500 cash prize and an opportunity to read at Cúirt 2011

* We will only consider entries from writers who have not had a collection of their work published or do not currently have a collection under consideration for publication.

Deadline: Friday 4th February 2011 at 5pm.

Poetry: 3 poems, each under 50 lines

Fiction: up to 2000 words

Non Fiction/Memoir: up to 2000 words

Entries must be sent in hard copy only to:

Cúirt New Writing Prize
Galway Arts Centre
47 Dominick Street
Galway City

An entry fee of €10 is applicable for each entry. This must be a postal order or a bank draft made out to Cúirt International Festival of Literature. (What about a cheque?)

* You must submit 3 copies of your work.
* Entries in both the Irish and English language are welcome.
* In addition to your work we ask that you include the following contact details on a separate sheet: Name, email address, phone number. Please do not type your name on each page you submit as we judge the entries anonymously.
* You may include a short biography of yourself if you so wish. If you do so please do not staple or attach it to your work; place it at the back of the envelope; separate to your work.

For any further enquiries please see: http://www.galwayartscentre.ie/cuirt/literature.html
or email: info@galwayartscentre.ie

Monday, 4 January 2010

Quiet Quarter

The weekend Irish Times did a lovely review of the Quiet Quarter Anthology, Ten years of Great Irish Writing Edited by Máire Nic Gearailt and published by New Island. The review was by the well-read, astute Eilis Nu Dhuibhne. The pieces are all only a few hundred words and there is a great range. I have a piece in there and am reading my copy slowly on the loo. It's a perfect read for the smallest room in my humble opinion. You can buy your copy here.



Apart from my piece (see the side bar for the podcast), there are 130 other pieces from a huge range of writers.

The Quiet Quarter slot is much missed, not only for listeners who appreciated the quiet moment to contemplate, but also as one of the diminishing revenue strands for writers. The reason for the cut from RTE was just the money. Such a shame.

Wednesday, 15 July 2009

Travel Acts of Kindness


Write in 100 words about a time when travelling in a developing country, you experienced an act of kindness. Read some of the entries to get an idea the type of story. Try not avoid saccharine.

Free

Deadline: 22 July 2009
The competition from Global Giving I think is more to raise awareness.

Enter the 'Acts of Kindness' Travel Competition

To enter, simply spend five minutes telling us about an 'Act of Kindness' that you have experienced whilst travelling by adding your story below (in no more than 100 words).

Prizes: A lucky winner will win a trip for two to visit a GlobalGiving project in a country of their choice. 10 runners up will win goody bags containing a selection of prizes including travel gear.

8 out of 10 Brits have experienced an 'Act of Kindness' whilst travelling. Tell us your story below.


Were you lost and someone gave you directions?
Were you invited to a local event or festivity?
Did you receive a gift?
Did your vehicle break down and someone helped you?
Did you receive an impromptu local tour?

Thursday, 28 May 2009

What do you want first?


The Good News:

I have 5 pieces accepted on the Quiet Quarter on Lyric FM on the theme of swimming. I'm recording them and will let you know the week so you can listen in either live or afterwards forever more on your Mp3/iPod or online.

The Bad News:
I was rejected by the Stinging Fly again. Both for my fantastic short stories and then for my brilliant poems. It's the same story for years. I have to accept that there are some publications that just gon't 'get' me and my stuff. Move on. Nothing more to see here.

Then, rejected by Poetry Ireland Review, New editor, new criteria.

Then, rejected from Acumen magazine. Very fast response.

I have enjoyed reading them but unfortunately am not able to make an offer for any this time. I found a lot to like here, but unfortunately nothing appealed quite enough for me to shortlist any.

I get around 5,000 poems a year and as I only publish 50 per issue,


And lastly (for now) Southword, a nice rejection
all different, all intriguing, competition is fierce, yadda, yadda, yadda


Their loss!

Saturday, 28 February 2009

National Tree Week reading on Lyric FM


Hi all

One of my old pieces for the Quiet Quarter will be repeated on Lyric FM the week starting Monday 2nd March at 11:45, I think on the Tuesday. It will be available as a download later in the week.

Monday, 29 December 2008

people and wild places


Deadline: 31 March 2009
Go wild this christmas and get some inspiration.

In November 2009 Two Ravens Press will publish an anthology of literary non-fiction that focuses on the relationship between people and the wild places of the British Isles . They are looking for high quality writing which animates a connection between humanity and the natural world where it is not obviously dominated by the human presence. It might articulate a discovery; a new way of seeing; an emotional response; a meditation on a place or who we are as people in a wild world.

The anthology will be edited by Linda Cracknell who is a writer of short fiction (collections: Life Drawing, The Searching Glance) and who received a Creative Scotland Award in 2007 to write a collection of non-fiction essays about walks which follow human stories in 'wild' places (see ).

There are no restrictions on the nationality / residency of contributors to the anthology.
Non-fiction prose only; no fiction or poetry will be considered.
Upper word limit: 8000 words.
Contributions will be accepted by email only, and should be sent as a Microsoft Word attachment to info@tworavenspress.com for forwarding to the editor, whose decision on contributions will be final.
Submissions should include a short biographical paragraph.
Royalties from the book will be split equally between all contributors.

Thursday, 24 January 2008

The Quiet Quarter on Lyric FM


The Quiet Quarter, a daily 5 minute thoughtful and sometimes though-provoking piece, has changed time again. I turned on the radio a couple of weeks ago to listen and there it wasn't!

Now it's on Monday to Friday at 11:45 am on Lyric Notes with Máire Nic Gearailt.
You can listen online - recommended and useful if you want to know the type of piece that works well. You can also subscribe the the podcast. It pays too.

Monday, 10 December 2007

Miscellany


Actually I realise that Sunday Miscellany has only had the piece posted yesterday since the end of July so there's hope yet. They ask for 6 months to consider. Though it's really a summer piece. Ah well. Must see about sending them some poems. Problem is they consider stuff for that early in the morning with restrictions. No sex (obviously) or violence or death (unless it was a long time ago) or contentious or anything from the dark side. They prefer things with an Irish slant too (obviously) and not too many of my poems fit these restrictions.

Sunday, 9 December 2007

Pieces not accepted by Sunday Miscellany #5


Croquet and Cribbage

The sounds of summer this year are interspersed with the yells of kids piling outside to make the most of any sunny spell. Then piling back in again as the skies open up and the rain pours down. In my family, the sound of summer always included the clack of croquet balls on mallets.
Croquet was apparently invented in Ireland in the 1830’s. It has the image of a delightfully serene and well-mannered lawn game, played by elegant ladies and gentlemen in blazers and boater hats. In practise, it is the most vicious and malevolent game you can imagine. There is no elegance in roqueting your son’s ball into the dahlias for the third time. There is no sophistication in whacking your ball the full length of the lawn, to get your mother back for the inadvertent peel through the hoop.
When I was small, my family would make the long cross-country journey every few months, to stay with my grandparents. They had retired to a bungalow in the country. Every spring, Granddad brought out the croquet set from the shed, with a great sense of occasion. My grandparents were keen gardeners and their large, sandy beds were bursting with vegetables and scented flowers. The wide lawn was regularly rollered and kept as smooth my granddad’s Brylcreamed hair in anticipation of the game. We spaced out the hoops around the edges and whacked the final peg in the middle. We played singly or paired up to hit our balls around the lawn. Old scores were settled, new ones were raised and many dahlias gave up their lives in the interest of sporting fun. The first person to hit the peg at the end wins; this is called pegging out.
When the croquet set was put away from the winter, we would light the fire and take out the cards. Granddad was a bit of a card shark; he could deal as smoothly as a croupier and sometimes winked at me for no apparent reason as he dealt my hand. Grandma never had that impulse to let a child a down gently and went full out to win, whatever it took.
My favourite two-handed game, Granddad taught me was Cribbage. This seventeenth century game is the only card game I know that was invented by a poet. Sir John Suckling, was also a soldier, handsome and generous and independently wealthy to boot. This most unusual combination of attributes took its toll on him, and he committed suicide with poison in 1642. I don’t know how good he was as a poet, but you certainly need to keep your wits about you, playing his card game. Cribbage is scored by moving pegs around the holes in a special board. The associated vocabulary is poetic. Scoring is called pegging, the spare hand is called the crib. If my card skills and luck ever combined to let me beat my grandfather decisively, it is called a lurch. I was more often the one being lurched. Another rule gives an extra point for a Jack of the dealer’s suit; this is called one for his nobs. If you overlook a score, your opponent has to say ‘muggins’ and then takes the score for himself. The winner is the first to get his or her peg around the board twice and is said to have pegged out, just like in croquet.
Over the years, the card games at my grandparents diminished and eventually were put away. My dad became the one to bring out the croquet set from the shed in the spring. Granddad took to sitting on a shooting stick, to rest between turns and my mallet skills improved considerably. Granddad was the first to peg out. He died at the end of the croquet season, when I was eighteen. My grandmother pegged out herself a few years ago. My parents now have the croquet set and the cribbage board. Last summer, we rollered the lawn and introduced my husband and kids to the perfidious game of croquet. Next winter, I’m planning to brush up on the rules of cribbage.

Tuesday, 20 November 2007

Pieces not accepted by Sunday Miscellany #4


Another Piece not taken by Sunday Miscellany.
Moving in Irish Circles

My grandmother, Dorothy Driscoll was Irish, or that’s what I was always told. She raised her family to be proud of their Irish roots. Rebel songs and sentimental ballads were sung in the house. Intricate yarns were spun when they visited their huge family of relatives in the East End of London. I never met her; she died long before I was born. She married a Kent man before the First World War and raised a family of nine children, the second youngest my mother. Dorothy was a practising catholic but the nearest catholic church was a train ride away in Maidstone. She only went to mass once a month and most of her children were baptised at the local Church of England church.

Family legend said the Driscolls came from Cork. They emigrated to England sometime after the famine and found work digging the London underground as Navvies. I think of them when I’m in London and descend on those long escalators to the Piccadilly line, the deepest and first to be dug.

Her Irish roots must have been in her mind when my mother travelled with her future husband and his parents to West Cork in 1959. They ambled in a horse-drawn caravan and along the narrow roads, stopping in the small towns. They visited pubs and stone circles and set up camp in the fields. My parents bought their engagement ring in a jeweller’s shop in Bandon. My grandmother, though raised Church of England, dabbled with the catholic church and, ever the chameleon, started to speak with a stage Irish brogue which mortified my mother and probably confused or amused the locals. She insisted on stopping to genuflect at every roadside shrine, holy well and grotto. This was did not slow them down as they were only travelling at four miles an hour.

The photos they took on their little box Brownie show a different world to today. One picture in particular intrigued me when I was young. It was a donkey cart with milk churns parked outside a pub in a small town called Rosscarbery. I considered it the absolute dark ages.

When I met and married a young, brown-eyed engineer from that town in 1988, we thought the family had come full circle. The photos were brought to Ireland to show the new in-laws and my parents visited West Cork for the second time. We found the original jeweller’s shop in Bandon and showed them the ring. We drank in the same pub in the same square in Rosscarbery and talked about coincidences. My mother recalled watching a picture show in the parish hall, filmed around the locality. Whenever somebody in the audience came on the screen, they stood up and took a bow. My father-in-law had seen it many times. It used to be shown every summer. I wonder where that film is now.

Recently I became interested in genealogy, an art, not a science as I discovered. I traced my grandmother Dorothy Driscoll’s birth not to Ireland but to West Ham in Essex on the east side of London. I was disappointed. I could no longer claim to be available for the Irish football team. Dorothy’s mother, Emma, whom my aunt swore spoke with a strong Irish accent, turned out to come from Burton on Trent. Believe me, a Staffordshire accent is as far removed from the West Cork accent of my in-laws as a glass of Guinness is from Burton ale. It’s still the same language but that’s about it.

Emma Driscoll was a fervent mass-goer but she was baptised and raised Church of England. Dabbling with the church seems to run in both sides of my family.
Struggling through old census forms and birth certificates, deciphering the faded scrawls from more than a century ago, I pieced together the generations of Driscolls moving around the East End. Emma’s husband, my Great Grandfather was Edward Driscoll, a gas stoker born in West Ham; his father Edward senior, a shoemaker, born in Ireland. I struck lucky using a marriage certificate and the 1861 census in Bexley Heath in Kent. Edward Driscoll was born around 1837 in Ardfield, county Cork, only 4 miles from Rosscarbery. Another Irish family circle has been completed.

Sunday, 11 November 2007

Pieces not accepted by Sunday Miscellany #3


Another piece not taken by Sunday Miscellany. Checkpoint Charlie.

Before The Wall came down, I travelled to Berlin with my father. We wanted a European adventure together to get to know each other as adults. We drove from Holland where I lived at the time and spent the night in Hannover near the East-West border crossing. We were directed to stay on the autobahn, no stopping, no turning off until we got to West Berlin. My dad had, how shall I put it, an unreliable bladder in the mornings. He was petrified he would be caught short on the 2 hour journey and be shot by the roadside in an embarrassing position. He must have gone 17 times between getting up and leaving our guesthouse and once more at the border crossing.

The conversation as we buzzed down the concrete autobahn was a little stilted, exploring our newly modified relationship. This was the longest we’d been together without my mother or someone else to dilute the company but we got to West Berlin without incident. The next day, after a hearty Bundesrepublik breakfast, we walked down to The Wall. It was covered from top to bottom with paintings, heartfelt but sometimes banal verses and general ‘Gerhard wos ‘ere’ type graffiti.

Checkpoint Charlie was a collection of dour and unwelcoming reinforced prefabs. The route through the compound was zigzagged, designed so you couldn’t see what was round each corner. There were mysterious rooms off to the side and unsmiling soldiers in fur hats watching us. They made us wait a long time while they wrote in laborious longhand every last detail from our passports in a huge ledger. They checked each page for visas and other indications of our despicable western bourgeoisie. Eventually we were satisfactorily processed and after changing our 25 Bundesrepublik Deutchmarks to 25 Deutsche Demokratische Marks, we were let out into the cold spring day. In the West, the trees were starting to green and bulbs to poke shoots above the soil but in East Berlin, all was still in hibernation as if somehow the seasons were affected by the political border.

We went first to the Pergamon museum and gorged ourselves on the fabulous blue-tiled gateways and enormous statues liberated from Babylon in the twenties. Then we went for lunch in a municipal canteen. There was no gorging here. The only thing on offer was a stodgy stew and dumplings with unidentifiable grey meat and no flavour. It was served by scary, scowling ladies of the same girth from shoulder to knee. It was very cheap. We were left with about twenty-two marks each to squander.

We wandered down the wide Unten dem Linden avenue and stared at the Brandenburg Gate. The chariot atop faced East and flew the East German flag. The Wall from this side was an unapproachable double barrier of unblemished concrete, in contrast to the colourful Western side.

We tried to spend some more of our money in a department store. The pickings were slim. My dad pointed out the contrast to the store we had visited on the Western side. Kaufhaus or KaDeWe as it was known was opulent beyond anything we knew. They had American jeans, a rainbow of tropical fruit and an oyster and champagne bar. In the East the offerings were drab and utilitarian. I bought nutcrackers and some paper flags of Eastern block countries. I hung them in my living room until long after every flag had become obsolete, every flag but Cuba. My dad bought a leaden loaf of bread and a bar of communist chocolate that tasted like brown Shredded Wheat.
We still had 20 DMarks left after this shopping spree. A grey man in a grey raincoat approached us and offered to change some more. So this was what the black market looked like. We declined.

That left beer. This was good and strong but, alas, also very cheap. If we were to spend our remaining dosh on drink we would be swimming back to the West. We made a good effort however and staggered arm in arm through the tank barriers of Checkpoint Charlie before it closed for the night, father and daughter, East meets West, our own wall tumbling between us like a portent for the future.